Alistair Reid, a writer who was also a translator and close friend of Jorge Luis Borges, developed a list of attributes that he believes represent what Borges believed about meaning and language in the context of the idea of fiction.
Working with one or two others, identify parallels between one or more of these attributes (you will find out which in class today) and what you (individually and collectively) feel Yuval Noah Harari means by “fictions” in his TED Talk, “What explains the rise of humans?”
- A fiction is any construct of language—a story, an explanation, a plan, a theory, a dogma—that gives a certain shape to reality.
- Reality, that which is beyond language, functions by mainly indecipherable laws, which we do not understand, and over which we have limited control. To give some form to reality, we bring into being a variety of fictions.
- A fiction, it is understood, can never be true, since the nature of language is utterly different from the nature of reality.
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- Fictions bring things to order for the time being only. Given a shifting reality, they have constantly to be remade.
- We are physical beings, rooted in the physical cycle of life and death. Yet we are also users of language, fiction-makers, and language and fictions are not, like us, subject to natural laws. Through them, we are able to cross over into a timeless dimension, to bring into being alternate worlds, to enjoy the full freedom of the imaginable.
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- The most common of all confusions is to imagine that we have changed reality when all we have done is to alter our fiction of it. It is crucial never to lose the sense that our fictions are in fact fictions, even while appreciating their usefulness, and suspending our disbelief when we choose to.
- Reality is given to us: making fictions of it is in large part what we do with it.
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